Sound on Sound (February 2005)

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All rights reserved. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. The views expressed are those of the contributors and not necessarily those of the publishers.

As with a real studio session, you can't pan drums within the overhead or room mics though you can alter the overall width of these. In addition to volume, a Dynamic control varies the velocity of incoming MIDI notes for the various Kit Pieces. An additional Master Dynamics control works for the whole kit, and it is possible to load and save mixer settings. Where BFD is being used as a straightforward MIDI-triggered drum sound module, a learn function enables other mappings than GM to be created and stored and some pre-made maps are provided for various electronic drum kits.

Without straying too far into hifi review language, if there's an emotional, human element to be found in a piece of music, I'd bet on the OBS to reveal it. And funnily enough, that's exactly the kind of thing traditionally said about the LS3/5A. Published in SOS February 2005 Sound On Sound, Media House, Trafalgar Way, Bar Hill, Cambridge CB3 8SQ, UK. com | Telephone: +44 (0)1954 789888 | Fax: +44 (0)1954 789895 All contents copyright © SOS Publications Group and/or its licensors, 1985-2005. All rights reserved.

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