By Katie MacEntee, Casey Burkholder, Joshua Schwab-Cartas
What's a Cellphilm? explores mobilephone video construction for its contributions to participatory visible examine. there's a wealthy historical past of integrating contributors' movies into community-based examine and activism. even if, a reliance on camcorders and electronic cameras has come less than feedback for exacerbating unequal strength family among researchers and their collaborators. utilizing mobile phones in participatory visible study indicates a brand new approach ahead by means of operating with obtainable, daily expertise and integrating current media practices. mobile phones are all over the place nowadays. humans use cellular expertise to visually record and percentage their lives. This new period of democratised media practices encouraged Jonathan Dockney and Keyan Tomaselli to coin the time period cellphilm (cellphone + film). The time period indications the arrival jointly of other applied sciences on one hand-held machine and the rising media tradition according to people's use of mobile phones to create, proportion, and watch media.
Chapters current sensible examples of cellphilm examine performed in Canada, Hong Kong, Mexico, the Netherlands and South Africa. jointly those contributions think of numerous very important methodological questions, comparable to: Is cellphilming a brand new learn approach or is it re-packaged participatory video? What theories tell the research of cellphilms? What may the importance of common developments in mobile know-how be on cellphilms? How does our latest use of mobile phones tell the study technique and cellphilm aesthetics? What are the moral dimensions of cellphilm use, dissemination, and archiving? those questions are taken up from interdisciplinary views via validated and new educational individuals from schooling, Indigenous reviews, communique, movie and media studies.
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Extra info for What’s a Cellphilm?: Integrating Mobile Phone Technology into Participatory Visual Research and Activism
While the male performers take on the image of the warrior the female dancers are adorned with colourful beadwork around the neck, waist, knees, and ankles. The young virgins (unmarried girls) are typically bare-breasted while the older women cover themselves to indicate that they are married. Only female cultural performers participated as cellphilmers. The men are included as subjects in the philms Thatching and Cooking; and Thank You Lunch. In the Thatching clip the men are unenthusiastic about being filmed.
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