By Ali Behdad, Dominic Thomas (editors)
A significant other to Comparative Literature offers a suite of greater than thirty unique essays from proven and rising students, which discover the heritage, present kingdom, and way forward for comparative literature.Features over thirty unique essays from top overseas members presents a severe overview of the prestige of literary and cross-cultural inquiry Addresses the heritage, present nation, and way forward for comparative literature Chapters tackle such themes because the courting among translation and transnationalism, literary concept and rising media, the way forward for nationwide literatures in an period of globalization, gender and cultural formation throughout time, East-West cultural encounters, postcolonial and diaspora reviews, and different experimental techniques to literature and tradition
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Extra info for A Companion to Comparative Literature (Blackwell Companions to Literature and Culture)
In short, this is a conflict about the right to define the human subject according to a particular image. And, even if works of art refuse this claim – as is the case with automatic writing or art based solely on the dictates of chance or mechanical production – it has been the task of their political, social, and academic interpretation to re-institute that claim, namely, the significance of the humanities resides in the reflection of the human subject. And, the method for sustaining that reflection has not ceased to be comparative.
If Auerbach’s story of literature can be understood as the forerunner of the situation in which comparative literature finds itself today – a loose discourse network sprouting from an incessant proliferation, intermingling, and hybridization of subjects – his A Discipline of Tolerance 25 remarks just cited above also bring home the kinship between the democratizing impulse and an older human condition, hatred. That kinship would be a good way of explaining why literature, understood in the broad modern sense of fictional composition, continues to be relevant in one significant sense.
The ineffability of this claim to truth is what distinguishes the Judeo-Christian manner of storytelling from that of the pagans. If a Greek author such as Homer tends to digress into picturesque details, the Biblical narrative leaves much to the reader’s speculation and interpretation. ) Above all, Auerbach describes this claim to truth in absolute terms, as: tyrannical – it excludes all other claims […] All other scenes, issues, and ordinances have no right to appear independently of it, and it is promised that all of them, the history of all mankind, will be given their due place within its frame, will be subordinated to it.