By David Dickinson
Ah, these gullible new American millionaires of the overdue nineteenth century. After first enriching themselves via railroad improvement, the delivery exchange, or different robber-baron firms, many sought to happen their sophistication by means of paying for nice ecu artistic endeavors. "I suspect we can be on the very starting of the most important paying for spree in history," comments one cultural gourmet in David Dickinson's Death of an previous Master. "For the purchasers, the possibilities are huge." And there have been nonetheless larger gains to be made via purveyors of counterfeit masterpieces, as is made transparent during this neatly plotted 3rd secret (after Goodnight, candy Prince and Death and the Jubilee) that includes Lord Francis Powerscourt, a former military intelligence officer who's now "one of the main investigators in Britain."
Powerscourt's curiosity within the 1899 slaying of major artwork critic Christopher Montague--garroted in his London flat with a piano wire--is uncomplicated sufficient: the lifeless guy used to be considered one of his spouse Lucy's myriad family members. yet this is often no easy murder. For something, all of Montague's papers have disappeared. those comprise a piece of writing he was once writing approximately solid or faked Renaissance paintings--some of that are putting on the prestigious de Courcy and Piper Gallery. It's a neat little enterprise that companions William Alaric Piper and Edmund de Courcy were working: With the aid of a talented--and captive--young artist named Orlando Blane, they reproduction present previous Masters, or create new ones in exact type, on the market to foreigners. So was once Montague killed to avoid his revealing this epidemic fraudulence? Or used to be the critic's death the tragic end result of his affair with a married lady, whose husband is now lacking? Following the garroting of Montague's closest buddy, and with a possible blameless guy looking ahead to trial for those murders, Dickinson's aristocratic sleuth starts off a chase after solutions that might lead him from the Mediterranean island of Corsica to London's hallowed nationwide Gallery and a matted dynastic mansion at the Norfolk seacoast.
Dickinson, a former BBC-TV editor, stuffs Death of an outdated Master with wisdom in regards to the Victorian paintings global, but avoids didactic stuffiness. His concentration this is as a substitute on wit, rompish experience, and a forged memorable for its quirky range. even though readers could be hard-pressed to spot the killer upfront, the court answer to Dickinson's secret boasts anything that's missing from many of the creative efforts during this story: genuineness. --J. Kingston Pierce
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Extra info for Death of an Old Master (Lord Francis Powerscourt, Book 3)
Sample text
PLACE ON WOULD TOURS. ON NATURALLY BE YOUR" A" SHOWN OFF" CONGRATULATIONS" RUN Congratulations! You have found the Historical Society workers. You walk over to the big hole in the sand they have been digging and ask lots of questions. Suddenly, you notice a bony hand sticking out of the sand. No one seems to understand why you are jumping up and down and yelling. Then they see the hand too. You grab a shovel and help the workers. You have discovered an ancient burial ground! 42 • MYSTERY AND ADVENTURE The report you write on your experiences gets an A and you get a membership from the Historical Society for helping it to discover the burial ground The "S-Thief" Stories about the "S-Thief have been in all the newspapers.
All three pass by his farm regularly and know his habits. Type in the program to find out their location. " "GO BACK TO THE BOOK" RUN Before you set off to question the suspects, Frank Bridges gives you a description of his missing horse. Jim Fowler is a garden and pet supply salesman. A neatly trimmed lawn surrounds Jim's house. The only horse you see here is a ceramic statue of a jockey on a white horse. It rests beside the front door. At the rear of the house you can see a large garage that has three locks.
The newspaper article said that the Society has found an old map in its library. The map is of a beach in your town that used to be an Indian reservation. M~ 0 0 0 0 0 0 0 /WWW" /WWWW" 0 0/WWWWWW" X /WWW" o 0 t| 0 /WWWWWWW" 0 /W" 90 PRINT "0 - TEEPEE" 100 PRINT "X = HISTORICAL SPOT' A DAY AT THE BEACH 110 120 PRINT PRINT • 39 ll IN QUESTION11 "W = WATER11 RUN There are lots of reservations in your town. Many roads, beaches and parks there have Indian names. The Historical Society is especially concerned that some of the beaches where the Indians once lived are being ruined by companies who dump their garbage there.