In Her Own Write: Twentieth-Century Women’s Fiction by Jennifer Breen

By Jennifer Breen

The writer exhibits how readers can determine in 20th-century women's fiction what's subversive and what helps the established order of women's unequal place vis a vis males. to demonstrate this new means of studying fiction, she analyzes a vast variety of women's fiction and relates her readings to social problems with the day. a few comparisons with men's fiction are made, and a listing of crucial even though frequently ignored novels by way of girls is integrated.

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By Jennifer Breen

The writer exhibits how readers can determine in 20th-century women's fiction what's subversive and what helps the established order of women's unequal place vis a vis males. to demonstrate this new means of studying fiction, she analyzes a vast variety of women's fiction and relates her readings to social problems with the day. a few comparisons with men's fiction are made, and a listing of crucial even though frequently ignored novels by way of girls is integrated.

Show description

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But for Eleanor, brought up to look upon literary London as Parnassus, to write for such papers was bliss. Though they might not publish her name, nor all she wrote, and though they paid her such small money, it was a great reward: alongside her, unknown to her, were some of the others working, not for money but for 'glory'. 23 But this romantising about literary hack work is soon subverted in the form of Pigsney's wife's comment about her own journalism: 'Just a hack. I live at the bottom of Grub Street ...

One must take the good with the bad .. '20 So Letty's odyssey consists of discovering ways of attracting men in order to marry one and live off him when she has children. When she finally settles for her cousin, the multimillionaire, Bill van Week, he is disinherited, but she sticks with him because she appreciates his good qualities of decency and affection. Her efforts to sell herself in marriage have served to sharpen her sensitivity to goodness in men, so that we leave her ready with her 'freight' to 'cast off' because 'the journey [in marriage) has begun'.

She is not totally against marriage. But she concludes that Harold would not make a suitable partner for her, since she wants to become a writer and he refuses to take her vocation seriously. She tells him: 'If you had any sense, you'd have nothing to do with me ... I am given to something which a man never pardons in a woman ... ' He laughed - his soft, rich laugh. 'That's just into my hand. I'd rather work all day than write the shortest letter; so if you will give me a hand occasionally, you can write as many yarns as you like.

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