By James D., Jr. Hardy, Ann Martin
Vladimir Nabokov, one of many twentieth century's maximum novelists, is especially remembered for his masterwork Lolita. This severe paintings examines the long-lasting topics of Lolita and locations the unconventional in its right biographical, social, cultural and ancient contexts. Of specific curiosity are questions of affection in all of its manifestations, the valuable challenge of time within the e-book, and reminiscence because it is explored in fictional memoir or, therefore, the vital protagonist's "confession."
Read Online or Download "Light of My Life": Love, Time and Memory in Nabokov's Lolita PDF
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Additional resources for "Light of My Life": Love, Time and Memory in Nabokov's Lolita
No love affair afterwards, even his own, certainly no others’, could equal the merger of Humbert and Annabel into *Think of Romeo. 23 “Light of My Life” each other. Humbert alone was the perfect lover, just as Annabel became through time and longing the perfect beloved. Poor Lolita Haze. She could only, always, fall slightly short. This inevitability was Humbert’s fault. He grasped that his grasp of the essence of love, honed on memories of Annabel, was so profound, that Lolita, provocative though she might be, could never fulﬁll every nook in his imagination.
40 Chapter One: The Word Known to All Men with strikingly handsome Jason. That was before she knew he was an idiot; but ﬁrst impressions are powerful. It would be a shame for such a splendid man to die (as he surely would without her help). But to help Jason was to betray her father and her people, and to use her magic in wicked, even fatal ways. Duty or love? This is not an uncommon dilemma. Ovid knew the answer. People prefer desire to duty. And the dire consequences to come? The hell with them.
But there was also the continuing Ovidian tradition, which would reappear in courtly love’s schizoid emphasis on adultery and fornication as well as chaste adoration* Humbert practiced just one kind of courtly love, the lusty variety, ﬂaunting the essential selﬁshness of Ovidian courtly love. Only the selﬁshness. Humbert, for all of Nabokov’s complexity, was a simple character, with a life devoted to a single goal. Humbert’s choice of love, with erotic desire rampant, was the classical form that Christian theology understood existed, but invariably condemned.