By Ruth Downie
Gaius Petrius Ruso is a divorced and down-on his success military health care professional who has made the rash choice to hunt his fortune in an inclement outpost of the Roman Empire, particularly Britannia. His arrival in Deva (more generally known as Chester, England) does little to enhance his temper, and after a immediately thirty six hour shift on the military clinic, he succumbs to a second of weak point and rescues an injured slave lady, Tilla, from the palms of her abusive owner.
Now he has a brand new challenge: a slave who won't speak and can't prepare dinner, and drags hassle in her wake. prior to he is familiar with it, Ruso is stuck in the course of an research into the deaths of prostitutes understanding of the neighborhood bar. many years prior, after he rescued Emperor Trajan from an earthquake in Antioch, Ruso appeared headed for glory: now he's dwelling between heathens in a vermin-infested bachelor pad and needs to summon all his forensic wisdom to discover a killer who will be after him next.
Who are the genuine barbarians, the conquered or the conquerors? It's as much as Ruso—certainly the main likeable sleuth to return out of the Roman Empire—to realize the reality. With a present for comedian timing and historical element, Ruth Downie has conjured an historic international as raucous and genuine as our own.
Published within the united kingdom as Medicus (Ruso) and the Disappearing Dancing Girls.
Read Online or Download Medicus (Medicus Investigation, Book 1) PDF
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Extra info for Medicus (Medicus Investigation, Book 1)
Sample text
3. The translation is taken from the fragment of the letter on a "self-portrait" in The Renaissance Philosophy of Man, eds. E. O. H. Randall, Jr. (Chicago: Univ. of Chicago Press, 1948), pp. 34-35. 4. Epistle to Posterity, trans. Morris Bishop, p. 7. 5. All quotations from On His Own Ignorance and That of Others are taken from The Renaissance Philosophy of Man, pp. 47-133. 6. Cicero's critique of Socrates is to be found in De oratore, III, xvi, 60-61. The admission by the Sophist Gorgias that rhetoric is "the kind of persuasion which produces belief, not knowledge" is found in Gorgias 454e.
This means that a description of his thought is at the same time a description of the broad intellectual horizon within which he moves. It also means that a discussion of his ideas turns into what could be called the cartography of his memories and passions. A useful point of departure for catching a glimpse of the contours of his thought and its provisional crystallization is his Epistle to Posterity where we are told that he is versed in poetry and in moral philosophy, in classical as well as sacred literature, from that of St.
H. Atkins, Literary Criticism in Antiquity, 2 vols. (Cambridge: Cambridge Univ. A. S. ), Critics and Criticism (Chicago: Univ. of Chicago Press, 1952); Richard Robinson, Plato's Earlier Dialectic (Oxford: Clarendon, 1953); Rupert C. Lodge, Plato's Theory of Art (New York: Humanities Press, 1953); Paul Friedlander, Platon, 2 vols. (Berlin: W. G. Keller, 1954); John Gould, The Development of Plato's Ethics (Cambridge: Cambridge Univ. K. Wimsatt and C. Brooks, Literary Criticism. A Short History (New York: Knopf, 1957); Hermann Koller, Die Mimesis in der Antike: Nachahmung Darstellung Ausdruck (Bern: A.