By ModernBeats Inc.
В книги описывается всё - от начальных знаний по теории музыки и звукорежиссуре до психологии написания музыки. Хорошая отправная точка от одних из лучших создателей хип-хоп семплов (похожие семплы используют dr. dre, eminem, timbaland и другие).
Read or Download ModernBeats Hit Theory / Начальные принципы hip-hop продюссирования PDF
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Additional info for ModernBeats Hit Theory / Начальные принципы hip-hop продюссирования
It be time to get dirty. The task at hand is Hit Production: Hit Theory. Hits don’t originate from good gear alone. Hits originate from musical influences, musical roots, musical drive, musical creativity, and from musical intuition. Yea, your musical intuition might be good; you might have an ear for production from listening to all that Hip-hop. And, shit, you got the gear. But yo…Can you dissect hit mixes and melodies in detail? Can you discern and explain what makes them platinum? And, most challenging, can you accurately re-produce the hits you nod your head to?
If you’re recording many vocal tracks into a common mix and need to track each Fig. 8: A vocal isolation filter like tha SE Reflexion Filter vocal performance separately, the rejection filter is a must. Given its price, it’s a solid investment. will prevent room reflections from making your vocal track(s) unintelligible. 33 II. Clock that Data Before we move on to monitoring, there is yet another studio tool you should know about. Sooner, but probably later, you’re going to need to buy a word clock.
You’re fixing to hear and see what we’re talking about, below. Dynamically, tha importance of hammer-ons and pull-offs is they offer quieter, more musical ways of transitioning from one note to the next. From the Modernbeats guitar library, take a listen to sample G01V3102. On tha “&” count of two, there is a hammeron in the highest notes. 61 Here is what that lick looks like in the Reason sequencer. The hammer-on is right in the middle where the play marker is about to land. You can think of the hammer-on as deciding at the last minute to play a different chord.