By Stephen Knight
A well-liked crime style within the 19th century, city mysteries have mostly been neglected ever considering the fact that. This ancient and significant textual content examines the origins of the cutting edge style, which grappled with the increase of large, nameless towns, starting in France in 1842, then spreading speedily around the continent and to the United States and Australia. Writers lined contain Eugene Sue, George Reynolds, Paul Feval, George Lippard, "Ned Buntline" and Donald Cameron.
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Extra info for The Mysteries of the Cities: Urban Crime Fiction in the Nineteenth Century
Sample text
The eldest son, Martial himself, while tough, prefers an honest life and with his stalwart woman, La Louve, will eventually find that, through Rodolphe’s help, in colonial Algeria. Particularly interesting are the younger pair, François and Amandine, who, though rejecting the horrors of criminality, like the dead hand sticking up from the woodpile, are also, the boy especially, attracted to a criminal life. But they too are rescued in one of the more purposefully reformist elements of the book, suggesting that Sue uses the Martials in parallel with Morel as part of his class-based politicization of the text.
308). ”42 But the central action at 17 Rue du Temple is very serious. Morel is arrested for debt, the 1,300 francs owing on the moneylender’s bill from Ferrand. Germain honorably stole that amount from Ferrand for Louise, but there are also extortionate fees of 1,140 francs. Rodolphe pays all — in fact 2,500 francs (presumably adding a pourboire)— and keeps the 1,300 (which the Morels still have) to return to Germain. Worse yet, on the same day Louise is arrested for the murder of her child. 107).
Paris was still effectively a medieval city, with narrow streets filled with mud, and worse; its central areas were basically the preserve of ill-provided workers whose problems often pressured them towards crime, so joining the substantial population of hardened criminals. A few autonomous elegant quartiers acted as reservations for the gentry, and the extra-city spaces near and beyond the barrières belonged to neither lords nor people: as a site of social negotiation they will play an intriguing role in Les Mystères de Paris.