By Theo D'haen
This remarkably wide and informative publication bargains an advent to and review of worldwide Literature. Tracing the time period from its earliest roots and situating it inside a couple of correct contexts from postcolonialism to postmodernism, Theo D’haen examines:
- the go back of the time period "world literature" and its altering meaning
- Goethe’s notion of Weltliteratur and the way this pertains to present debates
- theories and theorists who've had an influence on global literature
- non-canonical and less-known literatures from round the globe
- the danger and implications of a definition of worldwide literature.
This publication is the appropriate advisor to an more and more renowned and significant time period in literary experiences. it truly is available and interesting and should be important to scholars of global literature, comparative literature, translation and postcolonial stories and somebody with an curiosity in those or similar topics.
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Additional resources for The Routledge Concise History of World Literature
Samarin, one of the early leaders of the project, as explicitly contrasting the endeavor he and his colleagues are engaged in with customary Western comparative literature practice privileging Western literature. Instead, he proclaims, "The Soviet History of World Literature will tell the story of how in the course of the centuries there arose a house of the literature of manldnd, unified and miraculously diversified, embodying the creative genius of aIl the peoples of the world" (M0ller 1989: 21).
What mattered most for Gorky, of course, was to recuperate the idea of world literature for the ideology of the newly created Soviet state in the interest of which he labored. This recuperation ran along two lines. First, he claimed, "We notice, and we believe, that it is the aim of that powerful flood of creative energy embodied in images and words to wash away forever aH distinctions between races, nations and classes, to liberate aH peoples from the he,avy yoke of having to struggle with each other, and to link aU their powers in the struggle against the mysterious forces of nature ...
In his lecture, Tagore went to great lengths to c1aim literature as the expression of all of humanity. "If we realize that universal humanity expresses itself in literature," he said, "we shaH be able to discern what is worth viewing in the latter" (Tagore 2001: 148). Drawing upon Indian mythology, and extensively metaphorizing, Tagore construes literature as a "second world around the nlaterial one," in which humankind extends itself "through the creation of feelings and ideas" (Tagore 2001: 150).