By Keith McCafferty
A smart and fast paced homicide secret packed with wit, suspense, and fly fishing.
When a fishing consultant reels within the physique of a tender guy at the Madison, the Holy Grail of Montana trout rivers, Sheriff Martha Ettinger suspects foul play. It's not only the stick jammed into the man's eye that attracts her cognizance; it's the Royal Wulff trout fly caught in his bloated decrease lip. Following her instincts, Ettinger quickly unearths herself crossing paths with Montana newcomer Sean Stranahan.
Fly fisher, painter, and has-been inner most detective, Stranahan left a failed marriage and lackluster profession to force to Montana, the place he lives in an paintings studio adorned with fly-tying feathers and mouse droppings. With extra good fortune catching fish than consumers, Stranahan is totally captivated while Southern siren Velvet Lafayette walks into his lifestyles, motive on hiring his providers to discover her lacking brother. The clues lead Stranahan and Ettinger again to Montana's vast enterprise: fly fishing. the place there's cash, there's absolute to be crime.
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Additional resources for The Royal Wulff Murders (Sean Stranahan, Book 1)
Example text
3. The translation is taken from the fragment of the letter on a "self-portrait" in The Renaissance Philosophy of Man, eds. E. O. H. Randall, Jr. (Chicago: Univ. of Chicago Press, 1948), pp. 34-35. 4. Epistle to Posterity, trans. Morris Bishop, p. 7. 5. All quotations from On His Own Ignorance and That of Others are taken from The Renaissance Philosophy of Man, pp. 47-133. 6. Cicero's critique of Socrates is to be found in De oratore, III, xvi, 60-61. The admission by the Sophist Gorgias that rhetoric is "the kind of persuasion which produces belief, not knowledge" is found in Gorgias 454e.
This means that a description of his thought is at the same time a description of the broad intellectual horizon within which he moves. It also means that a discussion of his ideas turns into what could be called the cartography of his memories and passions. A useful point of departure for catching a glimpse of the contours of his thought and its provisional crystallization is his Epistle to Posterity where we are told that he is versed in poetry and in moral philosophy, in classical as well as sacred literature, from that of St.
H. Atkins, Literary Criticism in Antiquity, 2 vols. (Cambridge: Cambridge Univ. A. S. ), Critics and Criticism (Chicago: Univ. of Chicago Press, 1952); Richard Robinson, Plato's Earlier Dialectic (Oxford: Clarendon, 1953); Rupert C. Lodge, Plato's Theory of Art (New York: Humanities Press, 1953); Paul Friedlander, Platon, 2 vols. (Berlin: W. G. Keller, 1954); John Gould, The Development of Plato's Ethics (Cambridge: Cambridge Univ. K. Wimsatt and C. Brooks, Literary Criticism. A Short History (New York: Knopf, 1957); Hermann Koller, Die Mimesis in der Antike: Nachahmung Darstellung Ausdruck (Bern: A.