By Kuisma Korhonen
Within the final many years, there was an severe debate at the dating among literature and historiography, frequently associated with the talk among "empiricists" and "postmodernists". the purpose of this collective paintings is to handle this debate, and to go looking for brand spanking new methods of pondering and encountering the earlier. the most important be aware for the publication comes from Hayden White, one of many major educational figures, whose position in launching the modern history/literature debate has been an important. it's via 3 serious readings of his paintings, all suggesting new how one can observe or problem his perspectives. In different chapters of the ebook, background / literature query is then addressed from 3 issues of view: narrativity, background as literature, and literature as heritage. Tropes for the Past is a perfect advent to the literature/historiography debate and Hayden White's function in it. it is going to be of use for all scholars and students within the philosophy of heritage and in traditionally orientated literary, cultural, and social experiences.
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Extra resources for Tropes for the Past: Hayden White and the History Literature Debate (Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft ... & Vergleichenden Literaturwissenschaft)
Example text
Is the scale of violence of 20th-century wars greater than that of, say, the death of 13,000 Civil War prisoners at Andersonville, Georgia, in 1864-65, or the unknowable number of deaths suffered and caused by the Crusaders? Surely events such as the Black Death that spread across Europe in the 14th century, killing enormous percentages of the population, the battles fought by Napoleon’s army, or the lives and deaths of scores of millions of Africans transported in the Atlantic slave trade are as incomprehensible in their way as 1 2 3 Hayden White, Figural Realism: Studies in the Mimesis Effect (Baltimore: Johns Hopkins UP, 2000), p.
Usually, White derived his examples from the work of nineteenth-century historians like Jules Michelet and Alexis de Tocqueville (cf. Metahistory and “Interpretation in history,” esp. 69-71 and 74). Elsewhere I have suggested that White’s understanding of what historical writing is was based more on these early nineteenthcentury examples than on late twentieth-century historical scholarship. Herman Paul, “Tegen reductionisme in de geschiedfilosofie. Hypothesen over eenheid en verscheidenheid in de geschiedschrijving,” Groniek 36 (2003): pp.
401. Cf. David D. Roberts, Benedetto Croce and the uses of historicism (Berkeley/Los Angeles/London: University of California Press 1987), esp. pp. 345-349. White, Metahistory, p. 285. An Ironic Battle against Irony 39 was the ricorso from irony to metaphor that White had searched for in vain in Croce’s thought. 17 These two examples make clear that a “return” to the stage of metaphor as advocated in Metahistory would imply a revival of strong political commitments among historians. – II – In order to demonstrate how White’s aversion to ideological irony was related to his preference for epistemological irony, I would like to make a few comments on the background of both.