Ink (The Paper Gods, Book 1) by Amanda Sun

By Amanda Sun

At the heels of a family members tragedy, the very last thing Katie Greene desires to do is circulation midway internationally. caught together with her aunt in Shizuoka, Japan, Katie feels misplaced. by myself. She doesn’t be aware of the language, she will be able to slightly carry a couple of chopsticks, and she or he can’t appear to get the cling of taking her sneakers off every time she enters a building.

Then there’s wonderful yet aloof Tomohiro, superstar of the school’s kendo crew. How did he particularly get the scar on his arm? Katie isn’t ready for the reply. but if she sees the issues he attracts begin relocating, there’s no denying the reality: Tomo has a connection to the traditional gods of Japan, and being close to Katie is inflicting his skills to spiral uncontrolled. If the incorrect humans observe, they'll either be targets.

Katie by no means desired to flow to Japan—now she won't make it abroad alive.

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By Amanda Sun

At the heels of a family members tragedy, the very last thing Katie Greene desires to do is circulation midway internationally. caught together with her aunt in Shizuoka, Japan, Katie feels misplaced. by myself. She doesn’t be aware of the language, she will be able to slightly carry a couple of chopsticks, and she or he can’t appear to get the cling of taking her sneakers off every time she enters a building.

Then there’s wonderful yet aloof Tomohiro, superstar of the school’s kendo crew. How did he particularly get the scar on his arm? Katie isn’t ready for the reply. but if she sees the issues he attracts begin relocating, there’s no denying the reality: Tomo has a connection to the traditional gods of Japan, and being close to Katie is inflicting his skills to spiral uncontrolled. If the incorrect humans observe, they'll either be targets.

Katie by no means desired to flow to Japan—now she won't make it abroad alive.

Show description

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Extra resources for Ink (The Paper Gods, Book 1)

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Figure 1 shows the general architecture of a large-scale distributed multimedia system. In this type of environment, various devices produce video data that are transferred to the multimedia storage systems, i. , MediaSys servers. Users with various roles and profiles can search for and accesses to such video data using MEVISE clients. They can visualise them and/or analyse them according to some semantics. The need for video search engines over distributed environment is also driven by economic factors.

Ghandeharizadeh S. (1996) Stream-based Versus Structured Video Objects: Issues, Solutions, and Challenges; in Multimedia Database Systems, Springer-verlag, 1996, p 215-236 Guttman, A. (1984) R-Trees: A Dynamic Index for Geometric Data; Proc. of ACM SIG Int'l Conf. on Management of Data (SIGMOD' 84), 1984, pp. , (1997) The SR-tree: An Index Structure for High-Dimensional Nearest Neighbor Queries; Proc. of the 1997 ACM SIGMOD International Conference on Management of Data (May 1997) pp. , Schmidt, D.

1996). "Querying Video Libraries". Journal of Visual Communications and Image Representation, 7(1):44-60. , and Faloutsos, C. (1997). "VideoTrails: Representing and Visualizing Structure in Video Sequences". In Proc. of ACM Multimedia, pages 335-346. Little, T. and Ghafoor, A. (1993). "Interval-Based Conceptual Models for Time-Dependent Multimedia Data". IEEE Transactions on Knowledge and Data Engineering, 5(4):551-563. Lorentzos, N. and Mitsopoulos, Y. (1997). "SQL Extension for Intervals Data".

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