By Peter Hunt
The foreign spouse Encyclopedia solutions those questions and offers complete assurance of kid's literature from quite a lot of views. Over eighty immense essays by means of international specialists comprise Iona Opie at the oral culture, Gillian Avery on relations tales and Michael Rosen on audio, television and different media. The spouse covers a vast variety of subject matters, from the fairy story to serious idea, from the classics to comics.Structure The better half is split into 5 sections:1) concept and significant Approaches2) kinds and Genres3) The Context of kid's Literature4) purposes of kid's Literature5) the realm of kid's LiteratureEach essay is via references and proposals for additional examining. the amount is absolutely listed.
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Additional info for International Companion Encyclopedia Of Children's Literature
This is despite the fact that historians such as Philippe Ariès and anthropologists such as Margaret Mead and Martha Wolfenstein (1955) have argued in classic studies that—at the very least— definitions of ‘childhood’ have differed throughout history, and from culture to culture. As Ariès writes: DEFINING CHILDREN’S LITERATURE AND CHILDHOOD 17 the point is that ideas entertained about these [family] relations may be dissimilar at moments separated by lengthy periods of time. It is the history of the idea of the family which concerns us here, not the description of manners or the nature of law….
And trans. Watson, Cambridge: Cambridge University Press. Wall, B. (1991) The Narrator’s Voice: The Dilemma of Children’s Fiction, London: Macmillan. Westin, B. (1991) Children’s Literature in Sweden, trans. Croall, Stockholm: The Swedish Institute. B. (1973) ‘On writing for children’, in Haviland, V. ) Children and Literature: Views and Reviews, London: Bodley Head. T. F. (eds) (1969) Only Connect: Readings on Children’s Literature, Toronto: Oxford University Press. DEFINING CHILDREN’S LITERATURE AND CHILDHOOD 29 Hunt, P.
The assumption that children’s books somehow affect children makes the issues crucial: does, or can, The Slave Dancer perpetuate racism or does it counteract it (or does it do other things altogether)? In each case children’s literature critics inevitably ultimately resort to one basic claim: that they know more about children or the child and how and why it reads than the critics they disagree with. In examining various attempts to define ‘children’s literature’ we find a constant assumption of the existence of the (reading) child (that is: the assumption that there is such a thing as a unified, consistent, ‘objective’ ‘child reader’) together with the capacity for knowing it that each critic claims for himor herself.