By M. A. R. Habib
Literary feedback from Plato to the Present provides a concise and authoritative evaluation of the improvement of Western literary feedback and conception from the Classical interval to the current day
- An necessary and intellectually stimulating creation to the background of literary feedback and thought
- Introduces the foremost activities, figures, and texts of literary feedback
- Provides ancient context and exhibits the interconnections among a variety of theories
- An excellent textual content for all scholars of literature and feedback
Content:
Chapter 1 Classical Literary feedback (pages 7–22):
Chapter 2 The Traditions of Rhetoric (pages 23–34):
Chapter three Greek and Latin feedback in the course of the Roman Empire (pages 35–45):
Chapter four The Early heart a while (pages 47–56):
Chapter five The Later center a long time (pages 57–76):
Chapter 6 The Early sleek interval (pages 77–97):
Chapter 7 Neoclassical Literary feedback (pages 98–113):
Chapter eight The Enlightenment (pages 114–128):
Chapter nine The Aesthetics of Kant and Hegel (pages 129–141):
Chapter 10 Romanticism (pages 143–167):
Chapter eleven Realism, Naturalism, Symbolism, and Aestheticism (pages 168–180):
Chapter 12 The Heterological Thinkers (pages 181–188):
Chapter thirteen From Liberal Humanism to Formalism (pages 193–205):
Chapter 14 Socially wakeful feedback of the sooner 20th Century (pages 206–218):
Chapter 15 Phenomenology, Existentialism, Structuralism (pages 219–229):
Chapter sixteen The period of Poststructuralism (I): Later Marxism, Psychoanalysis, Deconstruction (pages 230–246):
Chapter 17 The period of Poststructuralism (II): Postmodernism, glossy Feminism, Gender experiences (pages 247–263):
Chapter 18 The Later 20th Century: New Historicism, Reader?Response thought, Postcolonial feedback, Cultural reviews (pages 264–278):
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Additional resources for Literary Criticism from Plato to the Present: An Introduction
Sample text
Whitehead, and Harold Bloom. While Plotinus basically accepts Plato’s division of the world into a higher intellectual realm of eternal Forms and a lower sensible world of time and change, what distinguishes his scheme from Plato’s is his elaboration of a more refined hierarchy of levels of reality. His scheme can be represented as follows: The One Embodies: Unity/Truth/Origin/Good Is Source of Essence and Existence Eternal Act/Utterance Divine Mind: Presides Over Intellectual Realm “There” Act/Utterance Inner All-Soul/World-Soul/Great Soul Outer (Nature-Principle) World of Matter, Sense, Time “Here” Soul Humans Body According to Plotinus, all the phases of existence emanate from the divinity; the goal of all things is ultimately to return to the divine.
6 Cicero divides a speech into six parts, beginning with the exordium, intended to make the audience well disposed, moving on to body which consists of a narrative of events, argumentation, refutation of counterarguments, then ending with a peroration which has three parts: a resume of the speech’s substantial points, arousal of animosity against the opponent, and the arousing of sympathy for one’s own case. 100–105). 213). 85). What is most interesting about the De oratore is the way it addresses two important topics: the cultural value of rhetoric, and the connection between rhetoric, philosophy, and other forms of knowledge.
786, 796, in Aristophanes Volume II: The Peace, The Birds, The Frogs, trans. Benjamin Bickley Rogers, Loeb Classical Library (Cambridge, MA and London: Harvard University Press/Heinemann, 1968). Hereafter cited as Frogs. 2. Republic, in Collected Dialogues of Plato, ed. Edith Hamilton and Huntington Cairns (Princeton: Princeton University Press, 1969), 514a–c. Hereafter cited as Republic. 3. Aristotle, The Categories; On Interpretation; Prior Analytics, trans. Harold P. Cooke and Hugh Tredennick, Loeb Classical Library (Cambridge, MA and London: Harvard University Press/Heinemann, 1973), pp.