By Sandra Heinen, Roy Sommer
Narrative learn has over the past 15 years built into a world and interdisciplinary box. This quantity collects fifteen essays which examine narrative and narrativity from a variety of views, together with literary reviews and hermeneutics, cognitive conception and creativity learn, metaphor experiences, movie conception and intermediality, in addition to reminiscence reports, musicology, theology and psychology. the subjects contact on a variety of concerns, reminiscent of the present country of narratology and its strength for improvement, narrativity in visible and auditive artwork kinds, the cultural capabilities of narrative, and the function of narrative strategies around the disciplines.
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Extra resources for Narratology in the Age of Cross-Disciplinary Narrative Research (Narratologia)
See, for example, Herman (1999), Nünning (2000), Fludernik (2000), Nünning/Nünning (2002a; 2002b), Kindt/Müller (2003a), Sommer (2004), Meister/Kindt/Schernus (2005). 36 Tom Kindt background. To cut a long story short: my paper will analyze a trait of the ongoing debates on the present and possible future state of narrative theory which I will from now on refer to as ‘narratological expansionism’. I will proceed by successively addressing what seem to be the two basic varieties of the expansionist claim with regard to narratology.
University Park, PA: The Pennsylvania State University Press. Livingston, Paisley. 2005. Art and Intention. A Philosophical Study. : Clarendon Press. Makkreel, Rudolf A. 1992 . Dilthey. Philosopher of the Human Studies. Princeton, NJ: Princeton University Press. Margolin, Uri. 1978. “Conclusion: Literary Structuralism and Hermeneutics in Significant Convergence, 1976”. In: Mario J. Valdés and Owen J. ). Interpretation of Narrative. Toronto/Buffalo/London: University of Toronto Press, p. 177-185.
Edna’s Suicide: The Problem of the One and the Many”. In: Chopin 1994, p. 241-247. ” (Billy Bragg: Waiting for the Great Leap Forward) In the course of the last ten years, narratology has gained a popularity in the humanities that it never enjoyed before, not even in the heyday of structuralism. Given the annual number of new monographs, anthologies and articles devoted to questions of narrative theory, it stands to reason to adopt a term coined by Manfred Jahn and Ansgar Nünning (1994: 300) and to speak of a “narratological industry” that is currently experiencing boom conditions.