By Rick Maue
The right way to magic booklet with a spooky haunted sort.
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39 David Carroll, ‘The Memory of Devastation and the Responsibilities of Thought: “And let’s not talk about that”’, in Jean-François Lyotard, Heidegger and ‘the jews’, trans. A. Michel (Minneapolis: University of Minnesota Press, 1990), pp. vii–xxix, at p. vii. 40 Carroll, ‘The Memory of Devastation’, p. x. 41 Gillian Rose, Mourning Becomes the Law (Cambridge: Cambridge University Press, 1996). 42 Christopher Ricks, ‘“The Tongue’s Atrocities”’, in Modern Critical Views: Geoffrey Hill, ed. Harold Bloom (New York: Chelsea House, 1986), pp.
Now everything gets clicked at the loud clock the shots and shutters sound like ’s Captain Hook’s ticking implacably inside the croc. 16 ‘Black & White’ – with its immediate reference to black-andwhite film and photography in the title – discusses the effects of this atrocity briefly in relation to atom bomb victims and the post-war boom in the Japanese economy, and, more LUP/Holo/Ch1 39 4/5/01, 9:30 am 40 Tony Harrison and the Holocaust specifically, in relation to non-hibakusha. According to the narrator – who, as in many of Harrison’s poems, is a representation of the author figure himself – the bombing has affected the concept of innocence in Western countries.
9; Langer, Admitting the Holocaust, p. 3. 25 V, p. 238. 26 Jean-Paul Sartre, Existentialism and Humanism (London: Eyre Methuen, 1973). 27 Theodor Adorno, ‘Commitment’, trans. F. MacDonagh, in Aesthetics and Politics, ed. R. Livingstone, P. Anderson and F. Mulhern (London: New Left Books, 1977), pp. 177–95, at p. 189. 28 Langer’s anti-redemptive stance continues in Preempting the Holocaust (London and New Haven: Yale University Press, 1998). 29 This anti-humanist critique has been levelled at Steven Spielberg’s film Schindler’s List, since it focuses on one incident of resistance in the figure of Oscar, rather than attempting to engage with the totality of the event.