The Concise Encyclopedia of Expressionism by Lionel Richard

By Lionel Richard

Expressionism used to be a modernist circulate, firstly in poetry and portray, originating in Germany at first of the twentieth century. Its normal trait is to offer the realm completely from a subjective viewpoint, distorting it noticeably for emotional impact so that it will evoke moods or principles. Expressionist artists sought to specific that means or emotional adventure instead of actual truth. Expressionism was once built as an avant-garde type prior to the 1st international battle. It remained renowned throughout the Weimar Republic, really in Berlin. the fashion prolonged to quite a lot of the humanities, together with expressionist structure, portray, literature, theatre, dance, movie and song.

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By Lionel Richard

Expressionism used to be a modernist circulate, firstly in poetry and portray, originating in Germany at first of the twentieth century. Its normal trait is to offer the realm completely from a subjective viewpoint, distorting it noticeably for emotional impact so that it will evoke moods or principles. Expressionist artists sought to specific that means or emotional adventure instead of actual truth. Expressionism was once built as an avant-garde type prior to the 1st international battle. It remained renowned throughout the Weimar Republic, really in Berlin. the fashion prolonged to quite a lot of the humanities, together with expressionist structure, portray, literature, theatre, dance, movie and song.

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28 The Beginnings There was another possibility in in Germany expressive painting which did not regard ambiguities and the tumult of feeling to obtain artistic truth with suspicion, as did the fauves. Roualt (who counts as the one real French expressionist) followed this direction. He was, admittedly, connected with the Fauves and exhibited with them, but his painting is filled with human problems. It is a reply to existential anguish and an indictment of society. With Christian compassion he revealed the terrible side of reality which can only be conquered by faith.

187 1 - the fourteen-year-old Balla with his mother, he had already Rome, moved to worked on a first Futurist Manifesto. He became one of the most important representatives of futurism, drew up numer- ous manifestoes and took part lithographer's press and followed an art course at night the group. In Rome he continued to educate himself. In 1899 he tried in vain to exhibit his work at the Biennale in Venice. In 1900 he went to Paris for several months where he was concerned above all with neoimpressionism.

The visions they had derived from their exaltation palled before the horror of reality: the frenziedly intoxicated ego of the artist could not control his overwhelming and dreadful sensations, let alone conceive of form through intensified expression. The change in reality demanded greater tranquillity of form, required an object as a support for expression. in Germany, especially Dix, Grosz and Meidner, for whom expressionism meant revolution and an opening, pursued it as a concept for a short while longer.

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