By Arthur Kroker, Marilouise Kroker
This booklet is ready physique outlaws, working within the interzone among the chilly seduction of the hysterical male and the start of that new horizon referred to as "the final sex."
Read or Download The Last Sex: Feminism and Outlaw Bodies (Culturetexts) PDF
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Extra info for The Last Sex: Feminism and Outlaw Bodies (Culturetexts)
Sample text
55 In her essay “The Power ofDiscourse and the Subordination of Woman,” Irigaray analyzes the rhetoric of “sexual indifference” and “the logic of the same” at work in the discourse considered foundational to legal, political, medical, economic, scientific, and educational discourses on woman. She demonstrates that this rhetoric/logic figures “woman” as man’s sexual “other” with devastating effect on women in the intellectual and cultural, if not all social, fields. form and transcendent soul, “woman” fLnctions discursively to enrich and empower men’s positive sense of their being and becoming at the expense of women’s self-representational capacity.
The author, Moira Fan-, fantasizes the arrival of Clara Kent, “mild mannered reporter by day and amazing fembo at night,” and of “Dirty Harriet,” the little girl who wanted to be an engineer but who became a mobster instead. ” In Canada, Quebec comic artist Julie Doucet is shocking readers with her graphic chronicles of Dirty Platte, a sexy vamp who shows no qualms about dismembering reckless male pursuers.
The author, Moira Fan-, fantasizes the arrival of Clara Kent, “mild mannered reporter by day and amazing fembo at night,” and of “Dirty Harriet,” the little girl who wanted to be an engineer but who became a mobster instead. ” In Canada, Quebec comic artist Julie Doucet is shocking readers with her graphic chronicles of Dirty Platte, a sexy vamp who shows no qualms about dismembering reckless male pursuers.