By Brian M. Wiprud
Wiseguy Sid “Sleep” Bifulco doesn’t desire no stinkin’ witness defense software. The mobster-turned-snitch, who consistently placed his sufferers lightly to sleep prior to whacking them, did his criminal time and now has a brand new rural hideaway and a brand new avocation: trout fishing in a scenic river valley. other than bunch of neighborhood yokels won’t depart him alone.
From a beautiful trout broker in red climbing boots to a cop married to a pregnant porn megastar, everyone during this little city has an perspective, a grudge or a weigh down on anyone. And Sid must determine those yahoos fast—because with a vicious Mafia killer on his path, a warden on his doorstep, and a hugely incriminating videotape making the rounds, it seems that the easy existence isn’t so uncomplicated after all....
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Extra resources for Sleep with the Fishes
3. The translation is taken from the fragment of the letter on a "self-portrait" in The Renaissance Philosophy of Man, eds. E. O. H. Randall, Jr. (Chicago: Univ. of Chicago Press, 1948), pp. 34-35. 4. Epistle to Posterity, trans. Morris Bishop, p. 7. 5. All quotations from On His Own Ignorance and That of Others are taken from The Renaissance Philosophy of Man, pp. 47-133. 6. Cicero's critique of Socrates is to be found in De oratore, III, xvi, 60-61. The admission by the Sophist Gorgias that rhetoric is "the kind of persuasion which produces belief, not knowledge" is found in Gorgias 454e.
This means that a description of his thought is at the same time a description of the broad intellectual horizon within which he moves. It also means that a discussion of his ideas turns into what could be called the cartography of his memories and passions. A useful point of departure for catching a glimpse of the contours of his thought and its provisional crystallization is his Epistle to Posterity where we are told that he is versed in poetry and in moral philosophy, in classical as well as sacred literature, from that of St.
H. Atkins, Literary Criticism in Antiquity, 2 vols. (Cambridge: Cambridge Univ. A. S. ), Critics and Criticism (Chicago: Univ. of Chicago Press, 1952); Richard Robinson, Plato's Earlier Dialectic (Oxford: Clarendon, 1953); Rupert C. Lodge, Plato's Theory of Art (New York: Humanities Press, 1953); Paul Friedlander, Platon, 2 vols. (Berlin: W. G. Keller, 1954); John Gould, The Development of Plato's Ethics (Cambridge: Cambridge Univ. K. Wimsatt and C. Brooks, Literary Criticism. A Short History (New York: Knopf, 1957); Hermann Koller, Die Mimesis in der Antike: Nachahmung Darstellung Ausdruck (Bern: A.