The Encyclopedia of Art: Painting, Sculpture, Architecture, by Eleanor C Munro

By Eleanor C Munro

1974 ninth Printing - three hundred Pages - outsized artwork e-book with thesaurus of Artists and artwork phrases and Index - plenty of photos.

Show description

By Eleanor C Munro

1974 ninth Printing - three hundred Pages - outsized artwork e-book with thesaurus of Artists and artwork phrases and Index - plenty of photos.

Show description

Read Online or Download The Encyclopedia of Art: Painting, Sculpture, Architecture, and Ornament from Prehistoric Times to the Twentieth Century PDF

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Additional info for The Encyclopedia of Art: Painting, Sculpture, Architecture, and Ornament from Prehistoric Times to the Twentieth Century

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Relief from Palace at Nimrud. C. 3. h. 3'2", w. TV. Assyrian sculpture: Guardian Hull, gate of Palace of Assumasirpal II. Nimrud. C. Alabaster, h. 10'3»/2 ". 4. Assyrian sculpture: Winged Diety front 1. C. Amber, h. 9y2 ". Nimrud. C. Br. 6. Assyrian sculpture: King Assurbanipal Hunting Lions. Relief from Palace at Nineveh. C. Alabaster, 4»r% *^p a- h. 21". , the Assyrian civilization began to decline, and a new empire arose. C. Babylonians was her, blue is shown tile new capital became Babylon, Ishtar, the at right, with goddess of love.

Style: 10Vi". v Funerary Mask. Gold. 1600-1500 i mimmu»mvmim'. v. immmiimmmuuHmmuuuuu were playful and more Mycenaean arts adapted to warfare or honoring the dead. Mycenaean cities less were ringed with great stone walls: over this gateway (Fig. rearing were carved, lions 8), two symbolic of Mycenaean power. Kings and heroes were underground tombs, built with buried in domed crypts and arched passageways, gold mask of 8. (Fig. one Mycenaean of s) was laid over the dea< Agamemnon's countrymen architecture: Lion Gate.

Delphi. C. ) H. C. Marble, h. 2'6". on Acgina. About 480 : : f . 5". -: ~ . 5C - : . r. : Mir- : - : - Praxiteles: issic: fant Dionysus. C. Marble, In h. T. , Greece Macedonia, whose fell legions across the ancient world. to Alexander of were spreading Greek sculpture of these "Hellenistic" times reflects this sense of expansion and movement. Flinging arms forward, the child jockey The Age of lived. however, was short- Pericles, Within sixty years, Pericles philosophers, poets, ward, to a was mood a master which seemed artists of the new her turned in- his others of the time {Figs.

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